Thursday, February 28, 2008

February 29, 2008

February 29, 2008
More poetry!
Self-starter: In your notebook, List 15 objects that are important to you.

1. About Odes.
Odes
Odes were invented around 500 B.C. by Pindar, a Greek poet.
Back then odes followed a complicated pattern of stanzas.
They were serious,
dignified,
choral songs, performed to celebrate victories,
like in the Olympic games.
In the 20th century, Pablo Neruda, a Chilean poet, turned the ode upside down. [Odes to Common Things, 1994]
He
abandoned dignified topics,
discarded rules about stanzas and meter,
and sang the praises of ordinary things and everyday life:
a pair of socks, onions, apples, a tomato, ironing,
soap, a yellow bird, a spoon, French fries, a storm,
laziness.

Best advice:
You almost can’t be too extreme in your praise, so pick an object that you genuinely admire and wish to exalt.
Part of the fun lies in choosing an everyday object that we aren’t accustomed to inflating with glory.
Don’t pick stars or roses.
You could select cars or noses.
(Adapted from Nancy Atwell's Lessons That Change Writers – Lesson 43, pg. 151-152)

2. Students wrote an Ode to a Jelly Bean. (And they got to eat it!)
3. The teacher shared odes by students, herself, and by the master of the modern ode, Pablo Neruda.
Find a sampling of odes by Pablo Neruda at
http://sunsite.dcc.uchile.cl/chile/misc/odas.html

4. Students wrote and typed odes.
Here are the directions:
Writing “Irregular” Odes (Like Pablo Neruda did) Tape-In
➢ First, decide what object you would like to celebrate. Look around your classroom, visualize outside, or think of things you have around your home, or of places you visit. This works best if you choose an object you have strong feelings about.

➢ Once you’ve picked an object, think about what makes it special. How do you feel about it, and why? Be prepared to describe the object inside and out.

➢ Exaggerate its admirable qualities, until it seems to become central or necessary to human existence.

➢ Use metaphors and similes.

➢ Usually you directly address the subject of the ode: “Oh, sausage sizzling in your succulent fat,. ..”
“your crispy softness, your fierce fragrance. . . .”

➢ Tell your feelings about the subject and give exalted descriptions of its qualities: a balance.

➢ Choose strong words: language that’s packed with meaning and cut to the bone (no excess words)

➢ Keep the lines short. Make it look like a poem on the page.

➢ Now, put your creative thoughts on paper. Remember, odes can be funny or serious – it’s all up to you as the poet!
Dorsey – Creative Writing – Feb. 2008

And here is an ode by the teacher --

Ode to My Dishwasher

Standing silent
under the counter
You wait for me to
fill you
with the pots
and pans
and plates
and bowls
and forks
and spoons
we've used
to cook
and eat.
Then I add powder
like an offering
to the god of cleanliness.
I press the button
and you rumble,
swish.
You work
while I go off
to read
or play
or do my own work.
You free me from
the drudgery of
dreaded handwashing.
I can even leave the house
and you continue your
watery work,
You create a work of art --
clean, shining ceramic,
metal,
plastic.
You even sanitize,
protecting me from
disease, discomfort.
Oh, Dishwasher,
you help and save me.
I praise and thank you
after every meal.
-- C. Dorsey








Wednesday, February 27, 2008

February 27, 2008

February 27, 2008
We finished reading Love That Dog.
Students typed up three "inspired by" or other original poems.

Students, you should still be looking for the "perfect" poem to present for our Poetry Slam.

Monday, February 25, 2008

February 25, 2008

February 25, 2008
Students presented "Poems for Two Voices" with partners (obviously).
We read more from Love That Dog by Sharon Creech, and students wrote one or more "inspired by poems."

Write one poem "inspired by" Walter Dean Myers "Love That Boy." It could be a "Love that ___ like a ____ loves to ____." or "Hate that ______ like a ____ hates _______." or "Eat that _______ like a _______ eats _______." Follow the format of the poem -- one stanza, seven lines. Notice the rhyme scheme, too.

Love That Boy

Love that boy,
like a rabbit loves to run
I said I love that boy
like a rabbit loves to run
Love to call him in the morning
love to call him
“Hey there, son!”

by Walter Dean Myers

-- Students should be looking for (or writing) a poem to present in our Poetry Slam.

Thursday, February 21, 2008

February 21, 2008

February 21, 2008
Students wrote a poem in response to the picture on the overhead (a painting).
It should be at least 4 lines.
It may or may not rhyme.
If you were absent, find a painting that intrigues you (in a book, on the Internet, etc.) and write a poem about it, meeting the above requirements, or use the painting we did by viewing it at ttp://www.bbc.co.uk/history/trail/wars_conflict/art/art_frontline_03.shtml

1. Computer Lab
We went to the computer lab today. Students who hadn't done it yet prepared their covers for their "creativity collage" packets.
Students did a Poetry Web Search. Each student was to find three poems they liked, place them on a document in Word, and print them up. See below.

2. If we had time, we read more from Love That Dog.

Creative Writing Class -- Poetry Web Search
Your mission is to find at least three poems you like by going to any of the following websites.
Copy poems you like into a Word document, and select three to print. Make sure your name and period are one the printed page(s). Save your document in your folder under
[your last name]poems.

Poetry Links
Type these exactly.
1. http://falcon.jmu.edu/~ramseyil/poemiddle.htm
2. http://www.poetry4kids.com/links
3. http://www.shadowpoetry.com/resources/wip/types.html
4. http://www.loc.gov/poetry/180/p180-list.html
5. http://www.kristinegeorge.com/swimming_upstream.html
6. http://www.poetryamerica.com/teen-poetry-contest.asp

Friday, February 15, 2008

February 19, 2008

February 19, 2008
Assemble your "Creativity Collage" pages -- everything except the picture collage. If you don't have a cover, you can make one Wednesday in the computer lab.

Self-Starter: Students wrote a poem "inspired" by a poem on the overhead. They were to imitate the poem, using their own subject or details. They did this on page 21 of their notebooks.

I Need to Find a Place
I need to find a place
Where friendship never burns out.

I need to find a place
Where I can scream and shout.

I need to find a place
Where love is forever
Where don't give up -- never!

I need to find a place
That is comforting and calm.
A place -- where nothing goes wrong.
-- Emily G.

Poetry --
We read from Love That Dog, and students imitated poems (page 22+ in their notebook).
Each was labeled "inspired by. . . (with the name of the original poet).
First, they wrote a "So much depends. . . " poem, inspired by William Carlos Williams.
Second, they wrote a poem based on the format of "The Tiger" by William Blake.
Third, they started working on a concrete (shape) poem.

Students should be looking for a poem to perform for a Poetry Slam, which may take place as early as February 27.

Thursday, February 14, 2008

February 14, 2008


February 14, 2008
Students received progress reports. These are to be returned for required points and extra credit by February 21.
Students had an opportunity to use the computer lab.
They wrote Thank-you notes to Mrs. Lyon, our guest speaker last time.
Students received back work on their "creativity collages" to organize.

Teams of students posted some of our work for display.
We also shared hot chocolate and lots of yummy candy! Thanks!

Special Note: If you're interested in Fantasy Writer's Club (also known as FWC or the Wyrms Tongue Society) meets on Tuesdays after school.

Monday, February 11, 2008

February 12, 2008


February 12, 2008
Next time, bring candy if you wish, especially chocolate!
Make sure you get in all parts of your Creativity Collage.
Start preparing a poem to present in a poetry rap. It could be a poem you've found or a poem you've written yourself.

We're having a special guest -- Mrs. Annette Lyon, a published author and

Utah's 2007 Best of State Fiction Medalist.

Annette Lyon
Notes on her presentation:
Students took notes on page 20 of the notebook.
Writers are weird
you read weird, sometimes morbid things.
Always read things.
She has published 50 articles and 5 books
One is based on Shakespeare’s “Much Ado about Nothing” Salt Lake City, 1860
Ethan asked if she had an agent. She said that when you go with a small publisher you may not need an agent.
She hates a couple of her book covers. Authors often don’t get to choose covers or titles.
Sierra asked, “How do you get published?”
Query letter - work on it so your book sounds exciting and fun.
She wrote several books before one was accepted.
She started fall of 1994 , first book out in 2002-- about 3 to years out after accepted.
Good to hang out with other writers because writing is a solitary thing, and you have to get used to rejections.

The Writer’s Journey is a book that explains common types of characters and plots.
Archetypes
Hero – audience identification -- someone we can relate to on some level
if Malfoy were our main character, would we sympathize with him
growth, change –
action --
character flaw – biggest weakness (could be fear,
sacrifice -- (example, Harry willing to die for the greater good)
Mentor – often a wise old man or woman
(Dumbledore and Hagrid)
--Teaching
gift-giving (light-sabre) --
motivating hero – quelling fear, kick in the pants, etc
can turn out to be a villain shape-shifter
Threshold Guardian
obstacles
testing the Hero
(Dursley letters, purpose – to test the hero

Herald
issues the challenge
announce a coming change, that all is not well
provides motivation to Hero
person or object

Shape-shifter --
not what he or she appears to be (Shape)
“Real” self-revealed can force change
good or evil, can be any character

Shadow
the villain
tests the hero’s true abilities
forces Hero to rise to the challenge
often appear beautiful, elegant, or good (Shapeshifter)

Trickster
balances out the drama with a little laughter
brings things into perspective


Hero’s Journey

Ordinary World
forshadowing of special world
introduction of story quest
meeting of the hero and his or her problem (as the story progresses, the stakes get higher and higher)

Call to Adventure
herald arrives, announcing change
Hero is the one who must act

Refusal of the call
fear an other excuses
reluctant heroes vs willing heroes
more than one call
threshold guardian

Meeting with the mentor
before commitment to the adventure
gets the story moving
provides hero with training and or a helpful object

Crossing the First Threshold
shows hero’s commitment to go forward
leaving ordinary world, entering special world
threshold guardian
life will never be the same again

Test, Allies, Enemies (Bulk of story) If your character runs into an obstacle and overcomes it, he or she has to run into another obstacle close behind it. Challenges get progressively more difficult.
testing of hero indifferent situations
discovering who are allies, who are enemies
obtaining sidekicks
the rival
hero’s adjustment to New World is another test
watering holes – a scene where sitting in a gather place (Hogwart’s Express, tavern in Star Wars)

Approach to the Inmost Cave (may be about ¾ of way through)
bold vs. quiet approach
preparation and harder testing for the ordeal
illusions and Threshold Guardians
hero uses lessons already learned to overcome harder obstacles
a new Special World (example – going down where the Sorcerer’s Stone is kept)

Ordeal (where he overcomes fatal flaw – you flip the flaw upside down)
Hero must battle the Shadow (“final exam” using new knowledge)
Hero faces greatest fears
Hero willing to sacrifice and/or die
Hero appears to die (or sees death, or causes death)

Reward – Seizing the Sword
“capture” the treasure or reward
celebration (“campfire” scenes)
epiphany: Hero understands something new about self

Resurrection

The Road Back
hero heads back to ordinary world with elixer
common time for chase scenes
setbacks (villain steals back elixer, etc.


Return with the Elixir


Ethan asked “How old do you need to be to be published?” There’s not a minimum age.
Kayla says Melissa R. is having a book published.
Mrs. Lyon recommends critique groups.
Asking an author “What is your favorite book that you’ve written?” is like asking a parent, “Which is our favorite child?”

She recommends attending writer’s conferences, etc.
On picking names for your characters --Find names in research – cemeteries . She keeps a running list of first names and last names.
Someone asked, “What got you writing?” When she was in second grade she had an older sister in sixth grade who was writing, and she read Beverly Cleary’s Mouse and the Motorcycle and started writing stories about mice and rats and hamsters, . . .

Thursday, February 7, 2008

February 8, 2008


February 8, 2008
1. Heart Mapping -- Writing from the Heart. We created our heart maps of things we could write about.
2. Writing with the Hearts -- We wrote poems using "conversation hearts."

Don't forget to turn in those other parts of your Creativity Collage collection.

Wednesday, February 6, 2008

Prompts for Telling About Your Own Experiences

Prompts for Telling About Your Own Experiences
Most of these are from Telling Your Own Stories by Donald Davis. When instructed to, pick one of these prompts to write about. Once you’ve used a topic, check off the box in front of it. Or perhaps these prompts will help you think of an experience you’d like to write about that doesn’t quite fit any of them. Go ahead and write about it instead.

 Can you remember a pet you once had which you don’t have any more?
 Can you remember a time when you tried to cook something and it didn’t turn out?
 Can you remember a time you got into trouble for something you had been told not to do?
 Can you remember a time when you broke something (or otherwise ruined something) that belonged to someone else?
 Can you remember a trip you would not want to have to take again?
 Can you remember a party you didn’t want to attend to begin with?
 Can you remember a night (or day) your parents haven’t yet found out about?
 Can you remember a time when you got sick at a very inconvenient moment?
 Can you remember a birthday or holiday you would (or would not) like to live over again?
 Can you remember a time when you got lost? What about a time when you were separated from your companions – even though you weren’t lost?
 Can you remember a time when you were locked out of where you needed to be?
 Can you remember a time when you totally forgot an important date or appointment?
 Can you remember a time when your first impression of someone turned out to be completely wrong?
 Can you remember a time when you learned something from someone younger than you, perhaps a little child?
 Can you remember a problem with a haircut? . . . make-up? . . . an article of clothing?
 Can you remember a time when you got a gift or compliment which you did not at all deserve?
 Can you remember a time when you almost won, but not quite?
 Can you remember a time when you were tricked or lied to?

 Take us with you when you had to move from one home to another.
 Take us with you to a movie when you were a child . . . or to a movie you’ve attended since then.
 Take us on a walk around the neighborhood where you lived as a child. . . or where you live now.
 Take us on a visit to your favorite childhood story.
 Take us on a childhood shopping trip with your mother or another family member.
 Take us on a visit to your childhood (or current) doctor’s office.
 Take us to school with you during one of your favorite years in school.
 Take us to summer camp for an afternoon, or an evening, or overnight.
 Take us to the place your father or mother works (or worked).
 Take us home with you for a holiday meal.
 Take us to the one spot in the all the world where you would like to build a house. You may also describe the house if you wish.
 Take us to visit your childhood hiding place or special thinking place.
 Take us to a place you like to go for walks or picnics.
 Introduce to us the oldest person you can remember knowing when you were a child.
 Tell us about a friend whom you have known most of you life.
 Tell us about a friend who is no longer part of your life.
 Introduce to us someone who visits (or used to visit) your house.
 Introduce to us a teacher to whom you owe a lot.
 Can you remember the first person you ever had a crush on?
 Tell us about a person you want to be like when you grow up.
 Tell us about one of your grandmothers or grandfathers.

February 6, 2008

February 6, 2008
Students received 4 tape-ins:
"In Collecting Your Writing Territories, Consider. . . . " Tape it on the back of page 1.
"Questions to Help Mine Your Heart" Tape it on the back of page 2.
"What's Happened to Me That I Could Write About?" Tape it on the back of page 3.
"Prompts for Telling About Your Own Experiences" Tape it on the back of page 4.

Students selected one of the prompts from "Prompts for Telling About Your Own Experiences" and wrote about it on page 5.

The tape-ins received today provide a way to collect ideas for writing.
We talked about our "Writing Territories." (My writing territories are the range of things I do as a writer. They include genres I write in or would like to try, subjects I've written about or would like to, and real or potential audiences for my writing.)

See the entry above for the "Prompts for Telling About Your Own Experiences."

Video: We watched a video of poet and writer Naomi Shihab Nye talking about writing from the heart. Students started filling out a chart of things they care about.

February 4, 2008


February 4, 2008
In your notebook, on page 19, students responded to the picture on the overhead with a poem or a brief story. (My Wife and My Mother-in-law)
If you don't have your notebook, you could write on a sheet of lined paper, bring it and tape it into your notebook.

We practiced the following Prewriting Techniques: (starting on page 10)
1. Freewriting: Just start writing and write for about two minutes about anything that comes into your mind. The point is to not stop writing during those two minutes. You're not writing about anything in particular, just whatever comes to mind. If your mind goes blank, just write blank, blank, or something else. This technique will sometimes free up your mind when you have writers' block, or may generate ideas you could write about.
2. Focused freewriting: Again, you are going to just write for two minutes without stopping. This time, you will focus on one of these words: roads, red, rain. Select one of those words, and write anything that comes to mind about that word during the two minutes. This can help you discover what you know about a subject, or help you think of different ways to look at it.
3. Asking questions: Select a subject you know about, then use the newspaper reporter's question words to generate information about that subject. Here's an example:
Baseball:
who: players, coaches, umpires, fans, . . .
what: play ball! bats, balls, mound, bases, backstop, hot dogs, baseball caps, uniforms, . . .
where: arena, field, Wrigley Field, back lot, school, . . .
why: fun! money for pros, fun to watch, for the hot dogs, The All-American past time, exercise, get outside,
when: summertime, night games, day games, weekends, recess, P.E. . . .


We shared more collages